As a writer – an aspirant rather than a full-fledged one – I churn through books about writing every year. I know, I know – a writer must write. There is only so much time a person can invest in books about the craft before you must put pen to paper, or put your fingers on the keyboard – whatever your preference. But I love reading about process. I’m so fascinated by various authors’ methods and beliefs. I read Stephen King’s On Writing not for advice, specifically, but to learn about how the grandmaster writes. Of course, I picked up some tips along the way, but I never jumped in thinking this will define how I write. Stephen King is about to unlock my muse! The same goes for Andy Martin’s book. I was tantalised by its description. The blurb sold me. ‘Reacher Said Nothing is a book about a guy writing a book.’ That ‘the guy’ in question is Lee Child, one of my all-time favourite authors, was merely icing on an already irresistible cake.
When I finished Reacher Said Nothing – less than 48 hours after starting it, I should say – I felt like I’d really gotten to know Andy Martin and Lee Child. Not personally – not in such a way that’d earn a fist-bump or a high-five were we ever to meet (to be fair, they strike me more as fans of the traditional handshake, which’d be fine by me) – but regarding their perspectives on fiction, on the creative process, on writing in general, I felt like they’d pretty much responded to every question I’d ever have for them (which’d leave me dry on topics for conversation, since my interests are very singular). This isn’t a book about How To Write Like Lee Child, or, in fact, Lee Child’s Guide To Writing a Bestseller: it’s quite literally a book about the writing of a specific book. But along the way it offers some extraordinary insight, and indeed plenty of advice, for aspiring writers, and readers wishing to better comprehend the art crafting of a novel – or at least one author’s methodology.
“It not 100 per cent,” says Lee Child, writing Make Me, on the subject of achieving ‘perfection.’ “It never quite lives up to the hope,” he continues, before Martin adds: “Success was always tinted with the colour of failure.” Which demonstrates just how vital Martin’s additions are. It would’ve been simple, of course, to transcribe Child’s thoughts on that day’s writing; but by bearing witness, physically being in the room with Child as he put words on the page – on the first, and only(!) draft, Martin is able to dig deeper than any genteel interview possibly could’ve. We’re there for the days when his progress stalls and the days when he hits the keyboard hard; the highs and lows, the peaks and valleys. Martin’s text reminds us that, ultimately, like all of us, Lee Child has his good days and bad, but he persists, and somehow, always (twenty occasions to date!) pulls through with the goods. And although his novels are deemed ‘thrillers,’ and ‘not serious literature,’ real effort goes into crafting each and every sentence. They are page-turners for a reason; it’s not by accident. Child’s books are intentionally-crafted. They are constructed, word by word, sentence by sentence, paragraph by paragraph. There is a rhythm, perhaps not perceptible to every reader, but it is vital to Child’s success.
So, Reacher Said Nothing does not reveal Child’s ‘formula.’ In fact, his off-the-cuff style – Child does not work off a plot, does not have a story in mind when he starts typing – is terrifying for someone like me, who need that blueprint. But the spotlight Martin shines is undeniably fascinating, and darn near unputdownable. More books like this, please!
(234mm x 153mm x 23mm)
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 19-Nov-2015
Country of Publication: United Kingdom