Review: Win by Harlan Coben

The trouble, I think, with making the long-running sidekick of an established crime series the lead is that it diminishes the facets of their character that made them cool in the first place. Specifically the kind of sidekick who is notorious for last-minute rescues, or doing the dirty work the hero refuses to muddy their hands with; like Nate Romanowski from C.J. Box’s Joe Pickett mysteries, or case in point, Windsor “Win” Horne Lockwood III, from Harlan Coben’s eleven-book long Myron Bolitar series.

Win’s always been happy to handle the messier side of Myron’s vigilantism. He has a natural predilection for violence, rooted in his tumultuous childhood. He’s brilliant in a supporting role: ridiculously wealthy, a self-trained combatant, incredibly intelligent. And hedonistic as hell. Win is basically Batman without the Batsuit, only because he prefers the feel of thousand-dollar tailored suits against his skin.

In “Win” he is approached by the FBI to accompany them to one of most prestigious buildings in Manhattan, the Beresford. An unidentified older man has been found dead. Win doesn’t recognise the victim — but he immediately spots the Vermeer painting hanging on the man’s wall as one stolen from the Lockwood family home twenty years ago. So, too, a suitcase with Win’s initials. The case gets more convoluted when the dead man is identified as the leader of a radical left group responsible for the accidental deaths of seven people decades ago. Then comes a connection to another crime from the past, also close to home: the traumatic abduction and abuse of Patricia Lockwood; Win’s cousin.

There are lots of pieces to this puzzle that eventually connect satisfactorily, though without Coben’s trademark blockbuster final twist. “Win” is a breeze, the definition of a perfect beach read, laced with plenty of moral ambiguity and pockmarked with action, and the author’s established cracking dialogue and wit. But without Myron to gloss over his harshness, Win is an unsympathetic protagonist, and honestly, I think Coben has proved his storytelling is better suited to standalone novels that focus on the everyperson  rather than “heroes.” 

Published: 16 March 2021
ISBN: 9781529123852
Imprint: Century
Format: Trade Paperback
Pages: 400
RRP: $32.99

Review: Don’t Let Go by Harlan Coben

9781780894249.jpgHarlan Coben’s propensity for writing thrillers that keep you turning the pages hours after you meant to turn out the light continues with Don’t Let Go, a standalone novel set in the world of fan-favourite protagonist Myron Bolitar.

Nobody’s ever been able to explain what Leo Dumas and his girlfriend, Diana Styles, were doing on the railroad tracks the night they were killed by a train, or why Maura Wells, girlfriend of Leo’s twin, Napoleon, “Nap,” disappeared that night. They’re questions that have haunted Nap for more than a decade, and have shaped the way he has lived his life: isolated, an avenging angel of a cop who isn’t afraid to break (or bend) the rules of law to enact his interpretation of justice. Indeed, Don’t Let Go is told almost entirely from his perspective, Nap relaying events to his dead brother, as though he’s listening. It’s clear from the very beginning: Nap hasn’t forgotten what happened that night, and it’s still affecting him today. He is determined to find the truth, to uncover what truly happened that night, and understand how those events connect.

When Maura’s fingerprints are discovered in a car driven by a murdered Pennsylvania cop, sergeant Rex Canton — also one of Nap’s high school classmates — Nap immediately inserts himself into the investigation. When Hank, another classmate, is also found murdered, Nap realises the connection between everyone: at school they were members of the Conspiracy Club, who spent much of their time sussing out the true purpose of the secret military installation in town. Obvious conclusion: they uncovered something, learned something they shouldn’t, and now they’re being hunted down. But if that’s the case, why wait fifteen years between murdering Leo and Diana to now target the others? Nap knows he’s missing a vital piece of the puzzle, and to find the answer means delving back into his painful past.

One of the great thriller writers of our age, Harlan Coben’s clever, fast-moving and multi-faceted yarns always demand to be read in one sitting. Don’t Let Go is no different. This is an exhilarating and unputdownable novel that asks whether the truth can really set you free, and whether some secrets are better left buried. More impressively, it’s a pacy thriller with a romantic heart, never once threatening to become overly sentimental. Coben’s gift is his ability to handle all the elements of a great thriller — a thrumming, zig-zagging  plot, sharp dialogue, empathetic characters — with inimitable brio. Don’t Let Go is the work of a consummate storyteller.

ISBN: 9781780894249
Format: Paperback
Pages: 352
Imprint: Century
Publisher: Cornerstone
Publish Date: 26-Sep-2017
Country of Publication: United Kingdom

Review: Home by Harlan Coben

Home Coben.jpgI slipped into hyperbole earlier this year when I reviewed Harlan Coben’s Fool Me Once. Deservedly so, upon reflection. I stand by it.  This isn’t an apology for my extensive praise. Nor is this review what you’re possibly expecting: “but wait, his latest novel, Home, is even better!” No, when juxtaposed, Fool Me Once is certainly the better thriller. It’s got that brilliant final twist, which hasn’t been topped by any other novel I’ve read this year, and certainly validates Coben’s ranking as the consummate master of the modern day thriller.

That’s right. He’s not just a master. Anybody can master something. But to be a consummate master? Wowzer.

But – and forgive the obvious pun – there is something special about coming home. About reuniting with a cast of characters you haven’t read about for some time. Myron Bolitar and Windsor Horne Lockwood III are two of my favourite characters in all of fiction, and we haven’t seen them (besides brief appearances in Coben’s YA Mickey Bolitar trilogy) since 2011’s Live Wire.

2011, guys and gals. That’s five years ago. God, we were do damn young. And look at us now. No, don’t – – !

Home brings these characters back, alongside the classic cast: Esperanza; Big Cyndi, Myron’s parents. Heck, even the kids wh0 starred in Coben’s YA series play a vital role in proceedings, and it’s great to be reunited with Mickey, Ema and Spoon. Their presence adds a cool continuity to things. So, sure; this book is for the fans. The readers, like me, who clamour each and every year for a new Myron novel. But there’s plenty here for “non-Myron” fans to enjoy. If indeed there even are such people out there.

The premise is straightforward: 10 years after two 6-year-olds vanished from a suburban New Jersey home, one of them is spotted in London. Obvious question: where’s the other? Myron gets involved because one of the kids, Rhys – – the boy who wasn’t spotted — is (or was) the cousin Windsor Horne Lockwood III, Myron’s best friend, and the friendliest psychopath you’re likely to encounter. In the past it has always been Myron’s lust for justice – – for righting wrongs, for doing the supposed right thing – – that pulled Win into deadly situations. This time the shoe is on the other foot. Win has always been there for Myron. And despite his pending marriage, Myron will always be there for Win. That’s the bro-code, didn’t you know?

Yes, there’s a big mystery here, and there are surprising twists (unleashed rather late in proceedings, admittedly, but no less effectively than in other novels) but it’s the emotion of the characters that really lifts Home above the rank and file. The heart and soul of this novel are the twin families coping with the loss of a child, and the extremes parents go to in order to protect them.

Ultimately, it’s just great to be back with Myron and the gang. The novel’s ending is possibly conclusive – – with a real lump-in-the-throat moment – – so who knows when we’ll see these characters again? In many respects, I wish I’d taken my time with the novel and truly savoured it. Instead, I smashed through it in less than 24 hours. That’s the true evidence of Coben’s class: his books are so gripping, you can’t put them down.

ISBN: 9781780894225
Format: Paperback (234mm x 153mm x mm)
Pages: 400
Imprint: Century
Publisher: Cornerstone
Publish Date: 22-Sep-2016
Country of Publication: United Kingdom