Review: Better Off Dead by Lee Child & Andrew Child

“Better Off Dead” is Andrew Child’s second time behind the wheel of his brother Lee’s Jack Reacher franchise, and it’s another perfectly formed action thriller that sees the former military policeman turned nomadic dispenser of extrajudicial justice face up against criminal mastermind Waad Dendoncker in a remote town on the US-Mexico border. 

Its opening reminded me of the seventh Reacher novel, “Persuader,” which also began in medias res: there, Reacher shot a cop while attempting to foil a kidnapping; here, we’re introduced to Dendoncker at the morgue as he identifies the body of a man, confirmed dead by the coroner: it’s — no, it can’t be! — Jack Reacher.

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Review: The Sentinel by Lee Child & Andrew Child

“Reliable” isn’t the sexiest descriptor, but “The Sentinel” shows Jack Reacher — even with Andrew Child rather than older brother Lee behind the wheel — remains the closest you can get to a sure-thing when it comes to page-turning, wham-bam entertainment.

Andrew Child isn’t here to revolutionise the Reacher formula. It’s a blueprint for international bestsellerdom. He’s not crazy. Nor would I call this a reinvigoration. It’s a fairly imperceptible continuation. Which is precisely what Reacher’s acolytes want. More of the same. In recent books, we’ve had an increasing number of references to Reacher’s mortality; “Past Tense and “The Midnight Line” come to mind. That was until last year’s “Blue Moon” which ratcheted up the gunplay to the nth degree; like a course correction that skewed too far wide. Andrew Child finds the right balance here. There’s no mention of Reacher slowing down; and the action is rooted where it belongs, with Reacher’s unrivalled physicality and fists. Scrap Reacher’s mid-fight rejoinders — what is he, Spider-Man? — and  you wouldn’t know this wasn’t penned by Lee himself.

That’s the most impressive thing about “The Sentinel.” Save for a few minor textual infractions, it doesn’t read like it’s been co-authored. Never mind the plot. It’s typically potboilery. Which is not a disparaging remark, just a statement of fact. The Reacher books have never been about their byzantine storylines. They’re loved because of their inherent simplicity. Reacher wanders into a place, finds trouble, solves the problem, and leaves. In this case the town is a small place outside Nashville. The trouble is the imminent abduction of an IT worker named Rusty Rutherford (although it’s more complicated than that, involving Russians, Nazis and election fraud). And the solution involves — well, Reacher inserting himself into all kinds of difficult situations, asking questions of people who won’t easily provide answers, gradually dismantling a nefarious scheme. More than one, in fact.

Rest assured, folks. Jack Reacher’s in a safe pair of hands.  

ISBN: 9781787633629
ISBN-10: 1787633624
Format: Paperback
Language: English
Number Of Pages: 400
Available: 27th October 2020

Review: Cleaning the Gold by Karin Slaughter and Lee Child

x293This team-up between two of thriller-lit’s most enduring creations — Lee Child’s Jack Reacher and Karin Slaughter’s Will Trent — is exactly what you’d expect it to be; nothing more, nothing less. Our heroes meet, inside Fort Knox, and become instant foes, before quickly forming a partnership that enables them to take on some bad dudes, and uncover a criminal ring operating inside the famous United States Army post. It’s bread and butter stuff from Child and Slaughter; a fun short-story-length aside, with an interesting connection to Reacher’s debut adventure, Killing Floor, with some amusing banter between the two leads, but ultimately, it reads more like a trailer for a full-size adventure we’re never actually going to see in print.

ISBN: 97814607122692269
Imprint: HarperCollins
On Sale: 09/05/2019
Pages: 128

Review: Blue Moon by Lee Child

9781787630277In his 24th adventure, nomadic vigilante Jack Reacher cuts a wide swath through an unnamed city’s rival gangs in his quest to help an elderly couple under threat from loan sharks.

The first half is genius; vintage Reacher, the physical embodiment of a spanner in the works, an agent of chaos for the Albanian and Ukrainian crime bosses, who misconstrue his actions for their rivals. The pacing is sharp, the transitions between characters smooth, and the violence hits hard and fast; like Reacher. But when the narrative turns, and Reacher declares war on the city’s organised crime, the novel becomes too reliant on gunplay, which is less high-octane (as I imagine it was intended), and more absolutely bonkers. The body count in Blue Moon is stratospheric; ridiculously so. At one point, bodies are literally piled in a doorway as rank and file gang members attempt to swarm Reacher. Maybe I could get past this , the sheer exuberance of Reacher’s kill count, if the shoot-em-up set pieces were a little more imaginative and extravagant; but they’re just so banal, in terms of setting and execution. Nobody writes choreographed fight scenes like Lee Child; but something is lost when he translates his specific style to shootouts.

Reacher’s mortality has floated to the surface in recent books, but in Blue Moon he’s in God Mode; a one-man killing machine, doing bad things to bad people in the worst possible way. At one point he deadpans, “Normally I kill them, kill their families, and piss on their ancestors’ graves.” Oh, Jack; don’t become a caricature of yourself. The book speeds along at an agreeable clip, but I’ve always thought Reacher works best in Sherlock Holmes mode rather than John McClane action hero. Middling for this brilliant series; but an average Reacher is better than most thrillers on the shelves.

ISBN: 9781787630277
Format: Paperback / softback
Pages: 384
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 29-Oct-2019
Country of Publication: United Kingdom

Review: Past Tense by Lee Child

9780593078198.jpgPast Tense is fuelled not by nerve-shredding tension or a confounding mystery, rather the tantalising inevitability of Jack Reacher’s collision course with a group of kidnappers who’ve abducted a young couple for an abhorrent purpose. It sticks to the trusted formula, and boasts the unpretentious, staccato prose Reacher’s legions of fans demand — and its insight into Reacher’s past makes it a worthy addition to the canon.

Stop me if you’ve heard this one before: Jack Reacher, on his way no nowhere — well, the West Coast, if you must know — hitchhikes his way into a small, middle-of-nowhere town  Laconia, New Hampshire, in this instance  and steps right into trouble. It’s the archetypal setup for a Reacher thriller, and Lee Child has mastered its unfolding over more than two decades and twenty-three books. Past Tense follows suit, for the most part, with two slight variances: Laconia is the place where Reacher’s father, Stan, grew up, which means this time there’s a personal connection; a history that Reacher wants to explore, for no other reason than he may never pass through the town again. And meanwhile, not too far away, in a isolated motel, readers witness the terror facing a young Canadian couple who find themselves unwilling participants in a psychotic game.

Patty Sundstrom and Shorty Fleck are more than side-characters, or victims waiting to be saved by Reacher. They’re fully-formed, empathetic characters, whose storyline is actually more compulsive than Reacher’s. There’s an urgency to their plight, which doesn’t seep into Reacher’s enquiries until very late on in proceedings. And indeed, it’s fascinating, and exciting, awaiting the moment of intersection between these characters, which doesn’t last long, but is incredibly satisfying when it happens.

Reacher’s mortality has floated to the surface in recent books, so too his own personal realisation of his complete and utter loneliness. Reacher’s interest in his family history maintains this theme, but thankfully, Past Tense is unblemished by the slight melancholic feel that pervaded the finale of The Midnight Line. Come the end of Past Tense, you’ll be fist-pumping the air and awaiting Reacher’s next adventure. There is no doubt: Lee Child and Jack Reacher remain the most reliable entertainers in the genre.

ISBN: 9780593078204
Format: Paperback
Pages: 432
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 5-Nov-2018
Country of Publication: United Kingdom


Review: The Midnight Line by Lee Child (Jack Reacher 22)

9780593078174.jpgLee Child course-corrected his Jack Reacher series back in 2003 with the publication of Persuader,  which saw a rawer, more violent Reacher (more reminiscent of the man we met in his debut, Killing Floor) face off against a dangerous figure from Reacher’s past. Not that the series was flagging up until that point, but it was coasting, author and hero comfortable in their roles. Persuader provided the shot in the arm Reacher needed, and some of the character’s best adventures followed, including One Shot, The Enemy, and Never Go Back. Fourteen years later with The Midnight Line, Child has reinvigorated Reacher again, but in a very different way, which will please some readers and possibly concern others. This novel feels like a pivotal point in Reacher’s journey.

The Midnight Line starts in typical fashion. Reacher hops off a bus at a rest stop in Anytown, USA and discovers a West Point class ring in a pawn shop window. With his military background, Reacher understands the severity of the experiences its owner must have gone through to earn it, so he buys it, with one simple goal in mind: to return it. In doing so, he finds himself up against a ring of opioid dealers, and allied with a former FBI agent-turned-private-detective, and the sister of the ring’s owner.

Child’s books are rarely topical or timely, which isn’t intended as a derisive comment, rather one of the pleasures of his thrillers: they are timeless, rarely focused on the societal or political issues at the time of publication. Influenced, perhaps, but always nuanced. But The Midnight Line deals with a very prevalent issue, that of illegal drugs, and how widespread they are in white and rural America, and the government’s flawed attempt to crack down on the problem. Child, surprisingly, for he’s perhaps better known as a wham-bam, cracking-heads author, paints a sympathetic portrait of addicts, and how necessary and fundamental the pleasure and pain relief these drugs provide for people are. The message here isn’t Drugs Are Good! Instead, the underlying message of The Midnight Line is that these drugs are oftentimes necessary for a person’s survival. Addiction is the antithesis of everything Reacher believes in; this is a man who believes in piloting his own destiny, and living by his own moral code. Drug addiction overrules all of that. But as events unfold, he learns to understand how reliant certain people are on opioids, particularly military veterans, whose road to addiction was instigated during their service, and who are left to fend themselves following their discharge.

Reacher’s mortality has floated to the surface in recent books, so too his own personal realisation of his complete and utter loneliness. It’s not that he wallows in it, but there is a bittersweet acceptance of his solitude in The Midnight Line, and his inability to settle, to never stay in one place for more than a few days at a time. Early in the series, Reacher and readers understood his nomadic state to be a result of his insular years in the military, forced from one base to another, always under a superior’s command. Cut loose, he decided to roam free, see the parts of the country he’d never encountered. But years have passed now, and that nomadic inclination hasn’t abated; if anything, it has grown stronger. The Midnight Line makes us wonder: what’s the endgame? Where — how — does Reacher’s journey end?

The Midnight Line lacks the suffocating kind of suspense and heart-pounding thrills provided in the best Reacher adventures, and some readers will groan at the overly-sentimental climax, but there’s still much satisfaction to be had from this more character-driven yarn. Not vintage Reacher, but still damn good.

ISBN: 9780593078174
Format: Paperback (234mm x 153mm x 28mm)
Pages: 400
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 7-Nov-2017
Country of Publication: United Kingdom

Review: Night School (Jack Reacher #21) by Lee Child

9780593073919-1-edition.default.original-1.jpgNight School takes Jack Reacher back to his army days — 1996 to be precise —and hurled into a covert investigation in Germany, alongside an FBI and CIA agent, with world-shattering consequences. The stakes have never been higher than those presented here; the twenty-first Reacher novel.

It begins in customary Lee Child style, which is to say, minimum exposition, immediate narrative momentum. No sooner has Reacher received a Legion of Merit medal than General Garber — a longstanding and important figure in Reacher continuity — reassigns Reacher to a school in Washington DC. But this is a school with (initially, at least) only three pupils: Reacher, an FBI agent, and a CIA analyst. And their orders are simple: to interpret chatter plucked from a source in Germany — the phrase “the American wants a hundred million dollars” — and dismantle whatever reprehensible scheme is in play.

Night School is fast and furious, and epitomises what millions of readers love about Lee Child and Jack Reacher. All the trademark elements are here. Child obfuscates the magnitude of the threat Reacher and his colleagues are facing until very late in the piece —but the revelation lands with a dull thud. The stakes are too high in Night School; at least when one considers what Reacher has faced in previous novels. It makes all his other experiences pale in comparison — which might work in terms of continuity, since nothing has fazed Reacher in the inventing years, and maybe this is why — but the plot’s veer towards James Bond territory rings false, for me, at least. Other readers — and I’ll be intrigued to hear their thoughts — might think differently.

Structurally, however, Night School is immensely satisfying. Few writers are able to build momentum as effectively and concisely; and Child’s brusque prose remains as delectable as ever. Lee Child has the secret sauce, that unrivalled ability to craft genuine page-turners. In my mind, Night School doesn’t rank up there with the very best of the Reacher novels, but that said, I couldn’t put it down, and am eagerly awaiting the next one. It can’t come soon enough.

ISBN: 9780593073919
Format: Paperback (234mm x 153mm x mm)
Pages: 432
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 8-Nov-2016
Country of Publication: United Kingdom

Reacher Said Nothing – Lee Child and the Making of Make Me by Andy Martin

Reacher Said Nothing.jpgAs a writer – an aspirant rather than a full-fledged one – I churn through books about writing every year.  I know, I know – a writer must write. There is only so much time a person can invest in books about the craft before you must put pen to paper, or put your fingers on the keyboard – whatever your preference. But I love reading about process. I’m so fascinated by various authors’ methods and beliefs. I read Stephen King’s On Writing not for advice, specifically, but to learn about how the grandmaster writes. Of course, I picked up some tips along the way, but I never jumped in thinking this will define how I write. Stephen King is about to unlock my muse! The same goes for Andy Martin’s book. I was tantalised by its description.  The blurb sold me. ‘Reacher Said Nothing is a book about a guy writing a book.’ That ‘the guy’ in question is Lee Child, one of my all-time favourite authors, was merely icing on an already irresistible cake.

When I finished Reacher Said Nothing – less than 48 hours after starting it, I should say – I felt like I’d really gotten to know Andy Martin and Lee Child. Not personally – not in such a way that’d earn a fist-bump or a high-five were we ever to meet (to be fair, they strike me more as fans of the traditional handshake, which’d be fine by me) – but regarding their perspectives on fiction, on the creative process, on writing in general, I felt like they’d pretty much responded to every question I’d ever have for them (which’d leave me dry on topics for conversation, since my interests are very singular). This isn’t a book about How To Write Like Lee Child, or, in fact, Lee Child’s Guide To Writing a Bestseller: it’s quite literally a book about the writing of a specific book. But along the way it offers some extraordinary insight, and indeed plenty of advice, for aspiring writers, and readers wishing to better comprehend the art crafting of a novel – or at least one author’s methodology.

“It not 100 per cent,” says Lee Child, writing Make Me, on the subject of achieving ‘perfection.’ “It never quite lives up to the hope,” he continues, before Martin adds: “Success was always tinted with the colour of failure.” Which demonstrates just how vital Martin’s additions are. It would’ve been simple, of course, to transcribe Child’s thoughts on that day’s writing; but by bearing witness, physically being in the room with Child as he put words on the page – on the first, and only(!) draft, Martin is able to dig deeper than any genteel interview possibly could’ve. We’re there for the days when his progress stalls and the days when he hits the keyboard hard; the highs and lows, the peaks and valleys. Martin’s text reminds us that, ultimately, like all of us, Lee Child has his good days and bad, but he persists, and somehow, always (twenty occasions to date!) pulls through with the goods. And although his novels are deemed ‘thrillers,’ and ‘not serious literature,’ real effort goes into crafting each and every sentence. They are page-turners for a reason; it’s not by accident. Child’s books are intentionally-crafted. They are constructed, word by word, sentence by sentence, paragraph by paragraph. There is a rhythm, perhaps not perceptible to every reader, but it is vital to Child’s success.

So, Reacher Said Nothing does not reveal Child’s ‘formula.’ In fact, his off-the-cuff style – Child does not work off a plot, does not have a story in mind when he starts typing – is terrifying for someone like me, who need that blueprint. But the spotlight Martin shines is undeniably fascinating, and darn near unputdownable. More books like this, please!

ISBN: 9780593076620
Format: Paperback
(234mm x 153mm x 23mm)
Pages: 320
Imprint: Bantam Press
Publisher: Transworld Publishers Ltd
Publish Date: 19-Nov-2015
Country of Publication: United Kingdom

Review: Die Trying by Lee Child

Die Trying.jpgWhile Killing Floor was an insular, lightly introspective thriller – narrated in the first person, its plot closely tied to Reacher’s past – the second Jack Reacher novel ups the stakes, and is a broader, more convoluted page-turner; told in third-person, packed with a ton of characters and various narrative threads, all of which tie together in a satisfying climax. Die Trying is the perfect second novel in a series, taking what hooked readers in the first place and magnifying those elements.

It starts in typical fashion: Jack Reacher, in the wrong place at the wrong time, on this occasion alongside a beautiful FBI agent named Holly Johnson, who is the target of a kidnapping in broad daylight on a Chicago street. The question is, why? As far as Feds go, she’s low-level; new to the bureau, with seemingly little value as a hostage.  But that’s a question for later; initially, for Reacher, it’s about survival: both his and hers. Then, when the kidnappers’ intentions become clear, it’s about vengeance.

Much like in Killing Floor, the Reacher presented here is significantly more vulnerable and emotional than what readers have grown accustomed to. There are moments in Die Trying when Reacher feels genuine fear; he doubts himself and his abilities on more than one occasion, but these humanising moments work wonders for later on in the novel, when he starts dishing out his special brand of justice. Without them, Reacher would be little more than a caricature of an 80’s movie action hero; soulless and cruel. Child plays his cards right, developing his protagonist with aplomb.

With a strong female lead – Holly’s one of the most kick-arse heroines Child’s ever created – and its unrelenting pace, Die Trying is a top-tier thriller, just as good as Killing Floor, and still one of Child’s finest.

ISBN: 9780857500052
Format: Paperback (198mm x 127mm x 35mm)
Pages: 560
Imprint: Bantam Books (Transworld Publishers a division of the Random House Group)
Publisher: Transworld Publishers Ltd
Publish Date: 9-Dec-2010
Country of Publication: United Kingdom

Review: Killing Floor by Lee Child

Killing FloorThe first Jack Reacher novel — and still one of the best.

One of my favourite things in life — seriously, one of my absolute favourite things— is re-reading my favourite series and charting the development of the author and their protagonist. Over the past couple of years, I’ve re-read Michael Connelly’s Harry Bosch novels, and have returned to Ian Rankin’s Rebus novels. I’d love to delve back into Matthew Reilly’s work — Ice Station was such a monumental book for me and completely obliterated my perceptions of what a written narrative could accomplish. But for the foreseeable future I’ve reunited with my old friend: the nomadic harbinger of justice, Jack Reacher, and his creator, Lee Child.

I’ve bemoaned the staleness of the ‘Reacher formula’ in recent years — the most recent novels in particular, Personal and Make Me — and have been trying to decide whether my tastes are somehow evolving, whether I’m the problem, or if the latest novels just haven’t quite hit the heights of their predecessors. Not that Mr. Child should be particularly perturbed by my criticisms: his books remain bestsellers, and I’ll remain loyal to Jack Reacher for a long time to come. Understand, I’m not saying Personal and Make Me were bad books — they were just 3-stars rather than the usual 4 or 5.

Killing Floor is fascinating for several reasons, particularly when examining the text with the gift of hindsight. Reacher is far more talkative in his debut than he is today; far more excitable and eloquent, and prone to moments of fear. Everything we love about him is there, but he hasn’t quite been firmly moulded yet; Child is still working out the kinks in his design, manipulating the character’s traits into the perfect protagonist. Same goes for Child’s prose; it’s still in the developmental stage, still being refined, but damn, it’s still a level above the competition.

The novel is set in Margrave, Georgia — a throwaway town in the middle of nowhere, but a place Reacher has never been, so it’s worth a stop. Besides, his brother Joe mentioned a blues musician named Blind Blake died there; perhaps there’s a plaque. But not long after he sets foot in the diner, Reacher is arrested for murder, and quickly becomes ingrained in a deep-rooted counterfeiting operation. Killing Floor is pure Reacher, and follows the formula that made Child’s novels mega-sellers: the hero walks into a town and rights its wrongs. Simple, but effective; done to death, but somehow elevated in Lee Child’s hands.

Killing Floor remains a wonderful thriller, full of brilliant characters and the heart-thudding tension the series is now famous for. Scenes that particularly stand out include Reacher’s visit to the local penitentiary, where he’s wrongfully isolated in general population, and Reacher’s brutal takedown of the men hired to kill him on a stormy night, thunder crackling above. It’s great stuff, and you won’t read better choreographed scenes.

So, a fine start to the series, then. And a reminder of why I fell in love with Jack Reacher, and Child’s thrillers, in the first place. If memory serves, I liked Die Trying even more. We’ll see.

ISBN: 9780553826166
Format: Paperback (198mm x 127mm x 33mm)
Pages: 528
Imprint: Bantam Books (Transworld Publishers a division of the Random House Group)
Publisher: Transworld Publishers Ltd
Publish Date: 5-Aug-2010
Country of Publication: United Kingdom