The story of Christine, Alex, Lydia and Zachary — a quartet of friends; two couples — is not a wildly original one. Following the sudden death of Zachary, “the one we couldn’t afford to lose,” muses Christine, the equilibrium of their relationships is thrown wildly off kilter; tested, pulled, and contorted like never before. Over the course of its pages, Late in the Day recounts the evolution of their friendships, ignited in their early 20s, and retained now, in their 50s. No wheels are being reinvented here: like Elizabeth Strout an Anne Tyler, Tess Hadley peers into the familiar world of family and friendships with merciless intimacy. But the execution is so gloriously appealing and beautifully measured that surrendering to its charms feels like the only option.
Hadley has a sharp, penetrating eye for the nuances of human relationships. Her rendering of Christine, Alex and Lydia struggling to reconcile the loss of Zachary is exquisitely deft, as it warps from anguish over his absence from their lives, to the total destabilisation it causes. Late in the Day is a candid and intensely realised examination of grief; psychologically astute, beautifully written, it is my first sampling of Hadley’s work, and will not be my last. A few years back I became infatuated with Anne Tyler; then Elizabeth Strout. I can already tell — this will be the year of Tessa Hadley.
Imprint: Jonathan Cape Ltd
Publisher: Vintage Publishing
Publish Date: 14-Feb-2019
Country of Publication: United Kingdom