Powerful and raw, harrowing and unsentimental, incredibly ambitious yet tightly focused in its scope, Your House Will Pay confronts the legacy of the 1992 Los Angeles riots, when the city exploded into violence after four white police officers were acquitted of any wrongdoing in the beating of Rodney King. Laced with tension and suspense, Steph Cha’s novel proves the past is prologue as it probes the residual pain, rage and grief felt by two families almost 30 years after a young black girl named Ava Matthews was shot to death by a Korean woman, who mistakenly believed the girl was stealing from her convenience store; an adaptation of the real-life murder of Latasha Harlins, a 15-year-old black girl fatally shot by convenience store owner Soon Ja Du, who was sentenced to five years of probation, 400 hours of community service, and a $500 fine.
Almost three decades have passed, but Shawn Matthews — an ex-convict now working for an LA-based moving company — is haunted by the death (or blatant execution, as he sees it) of his sister. The shooting and the subsequent trial, in which Jung-Ja Han was convicted, but received no jail time (and was able to relocate and disappear) exacerbated the racial tensions already simmering as a result of the Rodney King trial. These hostilities are festering in the present day, and have almost reached boiling point, after an unarmed black teen is killed by a police officer.
Shawn has dreamed of revenge for his sister, and has worked hard to deny this impulse, building a life that’s not exactly filled with riches, but is at least honest, and one he can be proud of. But when a Korean woman named Yvonne Park is wounded in a drive-by-shooting in front of her daughter, Grace, the LAPD comes knocking on Shawn’s door, and on his cousin Ray’s, who has just been released from prison, and is struggling to adapt to life on the outside. The LAPD are certain the drive-by was intended as a hit, not a random act of violence; setting the carefully-constructed lives of the Park and Matthews families are on a collision course.
This is the crime novel in its most serious form, reflecting and lamenting the mistakes of the past, and clanging a warning bell for the future. The past doesn’t fade; it lives, breathes, and gnaws in future generations.
Imprint: Faber Fiction
Pub Date: January 2020
Page Extent: 320