Don Winslow’s trilogy launcher builds like a summer storm — its tranquil beachside opening belies the violence, bloodshed and bodycount that ensues following the destruction of the armistice between two rival mob families.
City on Fire is classic Winslow: an epic story tightly focused on a core group of characters. Danny Ryan is the headliner. His father once ran the Irish mob that, to this day, controls the docks in the upper south side of Providence, Rhode Island. Today, 1986, he’s the son-in-law of the gang’s current leader, John Murphy. For years they’ve lived in relative harmony with the Italians — Danny’s even done some work for the Moretti brothers, Peter and Paulie. If they’re not exactly friends, there is at least respect between the rival factions; an understanding that peace is less costly than war.
And then Danny’s brother-in-law Liam shatters the ceasefire on the night he drunkenly assaults Paulie’s new girlfriend. Such a transgression can’t go unpunished. But as the saying goes, “an eye for an eye leaves the whole world blind.” Once the violence starts, it doesn’t stop: the only endpoint is mutual destruction. And Danny wants out. But the ties that bind him to Dogtown are strong.
Winslow’s trademark staccato prose makes the pages fly. City on Fire zings like a high-tension wire. The final 100 pages are a suspense masterclass, punctuated by gut-wrenching heartache. The next volume can’t come soon enough.
Number Of Pages: 384
Available: 4th May 2022
Publisher: HarperCollins Publishers
Say what you will about 2020, but it’s been packed with some phenomenal crime fiction and thrillers, and it was so difficult culling my list of favourites to a measly ten. In any other year, Peter Swanson’s “Rules For Perfect Murder” would feature; so too the new Rankin (“A Song for the Dark Times”), at least one of Connelly’s (“The Law of Innocence” and “Fair Warning”), and Silva’s “The Order.” But when I sat back and reflected on my year of reading, these were the ones that resonated.
The Manhattan North Special Task Force operates by one primary principle: if you don’t intimidate the street, the street will kill you. Which means you’ve got to work outside the law to maintain it. And to keep the peace, you broker deals. You can’t exterminate crime, so you work with the gangs. You maintain a status quo. You get dirty, but you don’t get bent. You walk right up to the line, but you don’t cross it. Until the day you do.
“The Force” is Don Winslow’s epic novel about an elite NYPD task force. It’s savagely violent and unambiguous in its portrayal of corrupt cops, so overwhelmed by their toxic egos and merrily lining their pockets, they’ve forgotten why they became police in the first place. If they’re not entirely morally bankrupt, they’re down to their last cents. Their decision to skim $4 million and 20 kilos of heroin from the scene of a major bust is the most extravagant of their wrongdoings; the coup de grâce before their fiefdom crumbles. And as it falls apart, readers learn just how far the corruption extends.
Winslow does a good job of establishing his characters in their own lives. Events are narrated through Detective Sergeant Denny Malone: Irish American, son of a cop, who grew up in Staten Island, whose brother was a firefighter who died on 9/11. Malone’s also in the middle of a protracted divorce, and in a new relationship with a black, drug-addicted nurse. But the nature of the tale is that its characters’ ambiguities are lost as it gathers momentum. When the FBI starts squeezing Malone for information, turning him into a rat — the thing he most despises — I was eager to see how he could possibly extricate himself from his predicament. But I wasn’t emotionally invested in his survival, because to be frank, Malone is a bad guy, and deserves to go down for his crimes. It makes for a peculiar reading experience, rooting against the central character of a book. But it’s not a feeling I marinated on, such is its velocity.
“The Force” is punctuated with blockbuster action scenes. Punchy sentences and short paragraphs make these sequences kinetic and frenetic. They read like a crude, bloody ballet. Impressively Don Winslow takes a derivative concept, shakes it, and gives it new energy. “The Force” is terrific entertainment. A cop novel only he could write.
Number Of Pages: 496
Published: 19th June 2017
Publisher: HarperCollins Publishers (Australia) Pty Ltd
Few writers — let alone crime writers — write with as much style and substance as Don Winslow. In “Broken,” a collection of six novellas, he acknowledges Raymond Chandler, Steve McQueen and Elmore Leonard, which should give newcomers to his work some idea of his stylistic leanings; but the scope of his work — even in this shorter format — is positively Dickensian. Brusque, punchy sentences and dialogue David Mamet would be proud of bely thematic weight.
There are three personal standouts in this brilliant collection, though your verdict might vary depending on your particular predilection; some of which feature characters from Winslow’s earlier work. “Crime 101” stars a jewel thief named Davis who targets jewellery shops on the Pacific Coast Highway 101, which hugs the ocean south-north in California. He’s got Detective Lou Lubesnick on his tail, and he’s like a dog with a bone. “The San Diego Zoo” opens with an escaped chimp armed with a revolver causing havoc. Well-intentioned police officer Chris Shea intervenes, and ends up the laughing stock of the department, and a YouTube sensation, hindering his chances of earning a spot on the robbery desk with Lubesnick.
The most powerful and timely story — maybe my favourite — is “The Last Ride,” in which a Border Patrol agent breaks protocol and attempts to return a Salvadoran girl to her mother. The story coruscates with the fear and desperation of both the agent and the traumatised six-year-old girl he wants to help; but as the title suggests, all does not bode well.
The three other tales — “Broken,” “Sunset,” and “Paradise” — are pacy stories that crackle with energy and excitement: a New Orleans cop goes on a rampage to avenge his murdered brother; a bail bondsman hunts for a heroin-addicted former surfing legend; and O, Ben and Chon hope to expand their weed-growing business from California to Hawaii but encounter deadly opposition.
Each of these stories could be expanded into a blockbuster novel: they are atmospheric, suspenseful and propelled by deep wrenching human emotion. And they are proof Don Winslow is one of the world’s best crime writers.
Imprint: HarperCollins – AU
On Sale: 06/04/2020
List Price: 32.99 AUD