My Heroes Have Always Been Junkies — set in the world of Ed Brubaker and Sean Phillips’ long-running Criminal opus — is a gripping, heart-rending and ultimately tragic graphic novella about Ellie, a denizen of an upscale rehab clinic, who tests the elasticity of morality in a dog-eat-dog world where the roles of hero and villain are seamlessly interchangeable and equally immaterial.
It was purely coincidence I read this right after finishing Mark Brandi’s The Rip, which also stars two drug addicts, albeit in a Melbourne setting, and in the form of prose rather than a graphic novel. The books handle the topic of addiction very differently. My Heroes Have Always Been Junkies presents the romantic idea of substance abuse as Ellie repeatedly name-drops a bunch of famous musicians who used pills and needles to (Ellie believes) fuel their imaginations and thus their capacity to create great art. Ellie doesn’t want to be rehabilitated; she’s stimulated by the idea that “drugs help you find the thing that makes you special,” even though there are occasions when the reader will wonder whether that viewpoint is starting to fracture. My Heroes Have Always Been Junkies never actually presents the darker side of addiction — which is precisely where Brandi’s The Rip resides as it explores characters plummeting inexorably towards obliteration.
My Heroes Have Always Been Junkies opens with Ellie standing on the beach, reeling from the fateful decision that forms the climax of the text. The narrative flashes back, detailing the events that lead to Ellie’s walk along the sand using Brubaker’s trademark storytelling method of the internal monologue. Ellie is a patient at the Infinite Horizon rehab clinic, locked in a schedule of tedious meetings with other patients only too happy to over share. The only like-minded soul in the place is a handsome young man named Skip, and the two begin a flirtatious relationship which quickly blossoms into a full-blown, but doomed romance. Everybody is someone’s fool, and while Ellie’s fondness for Skip is genuine, it’s complicated by the skeletons in her closet. The story builds toward two questions: whether Ellie and Skip will live happily ever after (which deems doubtful from the very start) and whether Ellie will accept the toxicity of her addiction.
Brubaker’s writing is greatly enhanced, not for the first time, by the artwork of his frequent collaborator Sean Phillips. Previous volumes of Criminal have been punctuated by moments of violence, but My Heroes Have Always Been Junkies is far more nuanced, and Phillips excels at the quieter moments, capturing the emotion of a scene with unparalleled clarity. Brubaker and Phillips remain an iconic duo of the contemporary comics scene.
Number Of Pages: 72
Published: 16th October 2018
Publisher: Image Comics
Country of Publication: US