In his debut novel “The Bluffs,” Kyle Perry demonstrates a remarkable ability to imbue the forbidding landscape of the mountains in Tasmania’s Great Western Tiers with potential otherworldly hostilities, infusing enough pulse-pounding, page-turning excitement — and refined police procedural mechanics — to keep you up way past bedtime. Blending the supernatural into crime novels is a tradition that goes back to Poe and Conan Doyle — and “The Bluffs” shows how evocative the combination can be.
When a group of teenage girls on a school excursion go missing in the remote wilderness of the collection of mountain bluffs that comprise the northern edge of the Central Highlands plateau in Tasmania, the citizens of Limestone Creek are immediately on edge. Three decades ago, another group of young girls disappeared in the bluffs, and the legend of ‘the Hungry Man’ — ‘who likes little girls, with their pretty faces and pretty curls’ — still haunts the town.
Limestone Creek is laden with dark secrets and rife with corruption. Much like the people of Kiewarra in Jane Harper’s “The Dry,” and the citizens in Chris Hammer’s Riversend (“Scrublands”) and Port Silver (“Silver”), there are monstrous connections between the residents of Limestone Creek. It falls on former Sydney Detective Con Badenhorst — plagued by his own demons — to find the girls, and determine what happened, while prime suspect Jordan Murphy — local drug dealer and father of one of the missing students — launches a rogue parallel investigation. Answers await both men on the bluffs.
With its hint of the uncanny, “The Bluffs” reminded me of Michael Koryta’s “Those Who Wish Me Dead” and his Mark Novak duology; crisp writing and steady suspense amplified by its setting. Kyle Perry shows that evil lurks not just in the hearts of humankind, but in the treacherous rugged terrain that surrounds us.
Published: 2 July 2020
Imprint: Michael Joseph
Format: Trade Paperback