The 14th and final Bernie Gunther novel takes the world-weary investigator back to the beginning: Berlin, 1928, the eve of the Nazi rise to power, with Gunther just promoted to the Murder Commission, and two serial killers on the loose.
Published posthumously, Philip Kerr’s swansong, Metropolis, is another masterpiece — which is a word that gets thrown around too easily, but is thoroughly deserved here, and almost an understatement. Kerr created one of crime fiction’s greatest characters in the sardonic anti-hero Bernie Gunther, and by plunging readers backwards and forwards in time through Gunther’s life, exploring his post-war and Nazi era antics, Kerr concocted a thrilling tapestry of a life lived in a time of great turmoil; when Gunther’s moral code, his lethal wisecracks, and the quality of the novels he starred in, were the only guarantees, because you never knew where, and when, Gunther might pop up next.
In his first case for the Berlin Murder Commission, Gunther is plucked from Vice to hunt for a serial killer targeting prostitutes, whose calling card is slicing the scalp from his victims. Then a new killer strikes, who has their sights set on the city’s disabled war veterans, and Gunther is forced undercover as a homeless veteran, which forces him to confront his own memories of the war. But it’s not just the threat of dual murderers that has Berlin on edge; Nazism is on the rise, blackening hearts, stoking violence and anti-Semitism.
You’ll turn the pages as fast as possible to identify the killers; then go back to truly savour Bernie Gunther’s perspective on Berlin in 1928; not to mention his interactions with historical figures such as Thea von Harbou and Lotte Lenya. That’s the beauty of Philip Kerr’s fiction: they’re mesmerizing for both plot and character, and their blurring of truth and fiction, which is often closer than readers might imagine.
Format: Paperback / softback
Imprint: Quercus Publishing
Publisher: Quercus Publishing
Publish Date: 4-Apr-2019
Country of Publication: United Kingdom