Review: Never Never by James Patterson & Candice Fox

Never NeverCandice Fox is one of Australia’s best and most innovative crime writers, so when her collaboration with multi-million copy bestseller James Patterson was announced, I was wary, simply because I couldn’t imagine their distinct styles coalescing. Patterson and his co-authors write fairly conventional thrillers, stripped to the bare essentials to ensure Patterson’s trademark rocket-fast pace. They’re fine-tuned, well-oiled machines, and provide plenty of readers precisely what they want. What has appealed to me about Fox’s work, however, is the complexity of her heroes and villains; her ability to find equilibrium between plot and characterization; and her willingness to explore dark societal underbellies, and portray violence realistically, without ever relying on sheer gratuity for shock value. My concern with Never Never was that the Patterson trappings – which I respect, and do not disparage – would dilute the traits I most admire her work for.

Never Never begins shortly after the events of the ‘Bookshot’ Black and Blue – though readers who’ve not read that novella needn’t worry, as that was quite evidently an interlude, with little resonance on this full-length story. Harriet Blue – a detective working sex crimes – has just learned her brother her brother has been arrested for a series of brutal murders around Sydney. Her superiors want her out of the city immediately to avoid the inevitable media attention, so Harry is dispatched to Western Australia, to work a missing persons case deep in the outback. Three people have vanished from the Bandya Mine, and it’s her job to track them down and bring in the perpetrator.

Harriet Blue has the makings of a great lead for a long-running series. She’s tough-as-nails, a capable brawler, and has that never-say-die attitude integral to a resonant protagonist. Presumably she’s an intelligent woman, too – though you wouldn’t know it based on her choices here, or the bumbling nature in which she runs her investigation. Harriet is purely reactionary, and continuously falls into perilous scenarios, never once being granted the opportunity to showcase her street smarts. This means there are plenty of rousing set pieces that’ll get readers’ hearts pounding, but not once does it feel like she’s cognizant of her situation. It’s impossible to delve into specifics without giving away spoilers, but Never Never is essentially Harriet stumbling headfirst into trouble before the ultimate villain reveals himself. If I’m ever attacked by a group of thugs, I’d want Harriet Blue in my corner. If confronting a cryptic crossword, I’m not so sure.

Events in Never Never are contrived. There’s very little organic about its development. It all feels very rote. Readers looking for a purely orthodox thriller will be sated, but those who’ve lapped up Candice Fox’s previous books, or indeed 2016’s landmark Australian crime novel by Jane Harper, The Dry, mightn’t feel the same. Sure, there’re some thrills, and some kick-arse moments for Harriet; but where’s the spark?

My thanks to Random House Australia for providing a review copy.

ISBN: 9781925324938
Format: Paperback
Pages: 368
Imprint: Century Australia
Publisher: Random House Australia
Publish Date: 15-Aug-2016
Country of Publication: Australia

Review: James Patterson Bookshots – Black & Blue by Candice Fox

Black and BlueIn high school I devoured James Patterson’s Alex Cross books, but a long time has passed since those days, and his style – short, choppy chapters with an extreme focus on plot rather than character – no longer resonates with me. It’s like he’s got the framework of a brilliant novel, but rather than fill it, he leaves his novel emancipated, stripped down, raw. It’s not for me – but obviously fits the bill for millions of other readers, so hey, I guess this is a case of accepting I’m the outlier. I grabbed a copy of Black & Blue purely for the Candice Fox factor. On the one hand, I want to support the work of a local author whom I greatly admire; on the other, I will admit, I just wanted to see how Patterson’s influence would impact her storytelling.

Black & Blue is one of the first entries in Patterson’s Bookshots series, dubbed as “the ultimate form of storytelling, and introduces Sydney detective Harriet Blue, who will star as the lead in a full-length novel this August, Never Never. The plot is simple – a young woman has washed up on a river bank, and Blue believes she’s another victim of Sydney’s worst serial killers in decades – the Georges River Killer. She investigates the murder alongside Tate Barnes, a despised, nomadic detective, whose methods are questionable, and whose past is black as pitch. Not that Blue is completely on the side of the angels, as demonstrated by her brutal takedown of an accused assailant under the cover of darkness early on in the novel.

There’s no question Black & Blue provides an hour of fast-paced entertainment – but there’s nothing here that’ll live long in readers’ memories. The plot is fairly rote, amped up by Patterson’s short chapters and constant perspective-shifts, from Blue, to the killer, to her superior officer. Speaking of, Harriett Blue and her supporting cast have potential, but it’s not properly explored here: it all feels very much like a tease, which I suppose is all I suppose it was meant to be. Still, as the ultimate form of storytelling, I was left feeling a tad indifferent. Black & Blue is a solid little thrill-ride, but if I had a say in the matter, I’d have voted for a solo Candice Fox novella instead. She is an author who has demonstrated a willingness to bend the tropes of the genre. Here she is playing very much by the rules, and the book lacks her trademark flair. That said, hopefully readers who enjoy Black & Blue will sample Hades, Eden and Fall.  It’ll blow their minds.

ISBN: 9781786530165
Format: Paperback (188mm x 129mm x mm)
Pages: 176
Imprint: BookShots
Publisher: Cornerstone
Publish Date: 2-Jun-2016
Country of Publication: United Kingdom

Review: Fall by Candice Fox

FallWith her first two novels Candice Fox carved a distinctive square on the map of contemporary crime writing. Taut with suspense, well-oiled plot mechanics, explosive bursts of violence, and chockfull of surreal, yet somehow relatable characters comprised of a plethora of doubts, anxieties, and hidden darkness, Hades and Eden made it abundantly clear: Fox is an enormously skilful writer, and unquestionably Australia’s hottest talent operating in the genre today. Now comes Fall; polished and primed, it is a stylish, explosively tense thriller. Somehow, Fox has upped her game. This is, quite simply, crime writing of the highest order.

Fall is a culmination of plot threads from Hades and Eden, but new readers needn’t worry: Fox dexterously feeds the essential backstory, in a nuanced fashion that won’t leave veterans bemused. Detective Frank Bennett is still struggling to cope with the knowledge that his partner in the Homicide Department, Eden Archer, moonlights as a serial killer. Her targets might be society’s underbelly, but no matter how you look at it, it boils down to cold blooded murder. Thankfully there is work to keep Frank distracted, and a new case is quickly thrown into his lap. Someone is targeting Sydney’s beautiful people; nabbing joggers from the city’s premier parks and leaving their bodies for the police to find. Meanwhile, Frank’s girlfriend, Imogen Stone, is closing in on Eden’s true identity, determined to uncover the truth for fame and fortune. But when another damaged soul becomes aware of Imogen’s secret investigation, her plans go awry very quickly, and there is more than just her life on the line.

Candice Fox’s storytelling takes no prisoners. This is a novel fuelled by pure adrenaline and hidden agendas rather than a traditional whodunit in the mould of, say, Michael Connelly. It’s a pyschothriller; Fox digs deep into her character’s psyches, exposing them at their rawest, while propelling them headlong into danger. It’s a novel that has plenty to say about society’s stance on women and beauty, but it doesn’t get bogged down in its messaging. First and foremost, Fall is a thriller, and a fine one at that. Every page crackles with energy; every chapter ends on a note demanding the next page be read.

Fall will most impact those who’ve been with Eden Archer and Frank Bennett since the beginning. Though these characters have only been with us for two preceding novels, their history has weight and meaning, and it is fundamental to the novel’s gut-punch of an ending. That’s not to say the novel is burdened by continuity; far from it. Fall will surely leave even new readers gaping, and screaming at their ceilings, “How can it end like this?!” But for those of us who were there from the start?Damn. It’s wonderful to read a series that feels like it has direction rather than spinning its wheels. No doubt, Candice Fox could’ve produced several whodunits starring her conflicted protagonists, Frank and Eden. No doubt they’d have been good, too. But Fall propels their story to the next level, when its least expected. Just when you think there’s a status quo to become accustomed to, Fox pulls the carpet out from under her readers. And it doesn’t feel cheap – it’s earned.

Relentlessly fast-paced and beautifully structured, readers will bomb through Fall in no time and enjoy every second. If you haven’t read Candice Fox before, jump on the bandwagon now. This feels like her breakthrough book into the mega-sellers.Fall is that good.

ISBN: 9780857987426
Format: Paperback
Pages: 352
Imprint: Bantam
Publisher: Transworld Publishers (Division of Random House Australia)
Publish Date: 1-Dec-2015
Country of Publication: Australia

Review: Eden by Candice Fox

9780857982568Candice Fox’s Ned Kelly Award-winning novel HADES was a ruthless, addictive page-turner that established Eden Archer as one of crime fiction’s most fearsome anti-heroes. Do-gooder police detective by day, merciless predator by night, the ingeniousness of Eden is our – and indeed her own – inability to predict her next move. Events from her past, which will remain unspoiled here, have deadened her emotions; she’s callous, and incapable of comprehending the thought processes and feelings of those around her. Eden Archer is an alien, and as she commits brazen acts of violence, we’re both disgusted and sorrowful: she didn’t choose this life. The fickle hand of fate decided for her, and she is living with the consequences, while others are dying because of it.

Her partner, Detective Frank Bennett, is the only man who knows the truth about Eden’s past, about her brother Eric, and her father: the feared underworld figure known as Hades. Frank was in a bad state at the end of HADES, and as EDEN begins he’s struggling to cope with the loss, living on a diet of painkillers and alcohol; but Eden’s determined to get him back in the game following the disappearance of three girls. She’s going undercover at a remote farm, the last known location of the three missing persons, and Frank is tasked with being her minder. It’s a fascinating scenario for Eden: her repressed nature makes her an unlikely candidate for undercover work, which necessitates blending into an environment. Witnessing her navigate awkward conversations is pulsating, because there is simply no telling how she’ll respond.

In the meantime, Hades is being haunted by a figure from his past, and has pulled in Frank to discern who is drudging up memories from long ago. The novel weaves a convoluted path, these parallel stories playing out alongside flashbacks to Hades’ past. There’s almost too much going on; too many threads being unraveled at once, never tangling, but threatening to. And as each chapter switches focus to another thread, the narrative loses its thrust. Whereas HADES moved like a bullet train, EDEN has less of a singular focus.

No surprise, a novel of HADES’ class resulted in a sequel, but in doing so, by necessity, Fox has been forced to expose more of Eden’s mentality and back story; in doing so, the character has lost some of her appeal. She is becoming less of a mystery. Perhaps this was always the intended objective of the Bennett/Archer series: the gradual exposé of the enigmatic anti-hero. So long as we don’t have a Moonlighting situation – a romance between the two leads – I’m content with the series’ trajectory. EDEN is another cracking crime novel by a fine Australian talent. It doesn’t quite reach the heights of her first, but it’s still a tier above most of the books shelved beside Fox’s name.

Review: Hades by Candice Fox

HadesHADES is a dark and brutal debut crime novel by Australian author Candice Fox, and the beginning of the Bennett/Archer series. It’s distinguished by its heroes and its villains, and the fine line that separates the two. Indeed, HADES is at its best when it explores the moral spectrum and how childhood impacts adulthood, and sets the course for our lives, an irrepressible undercurrent that is impossible to escape from, leading us to an inevitable end.

The procedural elements of HADES are fairly underwhelming, albeit queasily gruesome at times, and the methodology and mindset of the serial killer is somewhat innovative: he murders for body parts, and offers these organs to those in need of them, providing the DIY surgeries himself – for an inflated price, of course. It’s a kind of warped Robin Hood attitude with a horrific twist. But as pitiless as the killer is, the hunt to bring him to justice is formulaic: confidently penned, no question, but hardly revolutionary.

The sheer depravity of the villain is necessary however, as it provides contrast for the novel’s protagonists, none of which are likable, but are white knights in comparison. Eden, Eric, Hades and Frank are all uniquely flawed, but we root for them because the evil force they’re combatting is far worse. Eden and Eric – children of Hades Archer, the Lord of the Underworld, who’ve grown up to become police detectives – have evil inside them, a burning desire to do wrong. For the most part they control it, and transfer their violent impulses to those they deem worthy of receiving it. But evil is cancerous. It festers inside, and Fox deftly handles their struggle to inhibit their dispositions. As readers, we know it’s only a matter of time before they seek release. We just hope it’s on someone deserving.

The straightforward serial killer / organ stealer plotline serves as the foundation on which the author can liberally punctuate with character moments. Fox niftily weaves the narrative between the past and present, and effortlessly shifts between character perspectives. Frank Bennett is really the focal point: we witness events primarily through his eyes, told through stylish first person narration that occasionally resonated Chandler. Frank is flawed, but his aren’t as exaggerated as his fellow detectives. He’s a normal man who has made mistakes; inevitably, we come to believe, because of his occupation and its cyclic nature, buried amongst the worse of humankind, day in, day out. Fox leaves him in a very interesting place at the end of the novel, setting up future Bennett/Archer novels, of which a second is currently being penned, and is scheduled for release in December 2014.

HADES is a stunning debut. Take it at face value – a ruthless, addictive page-turner – or take it slow and contemplate its deeper themes. You’re in for a treat either way. With a single novel, Candice Fox has demonstrated her prowess. Expect to see her name on bestseller lists for a long time to come.