Posted on by Simon McDonald

Review: The Dark Hours by Michael Connelly

Michael Connelly’s police procedurals have always viewed law enforcement with skepticism. They have never assumed the justice system functions efficiently. Harry Bosch was always portrayed as an outsider in an insider’s job, dedicated to his mission more than he was to the Los Angeles Police Department; he was in the department, but not of it.

Renée Ballard, Bosch’s unofficial apprentice and the star of “The Dark Hours,” is the same. She is the quintessential police detective. She lives to solve cases, but constantly finds herself bogged down in petty departmental politics and bureaucracy, particularly now, with the LAPD’s policies focused on optics, because the public’s mistrust of law enforcement is at an all time high. Here, she juggles two investigations: the murder of former gang member Javier Raffa, and the hunt for a pair of serial rapists dubbed “The Midnight Men.” 

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The Law of Innocence by Michael Connelly

In “The Law of Innocence,” as reports of a deadly virus in China with possible global implications begin to gather steam, Los Angeles defence attorney Mickey Haller takes on the most important case of his career: his own.

After an open-bar celebration of a not-guilty verdict at the Redwood on Second Street, Haller — a teetotaller, definitely not over the limit, and most assuredly not driving erratically — is pulled over by an LAPD cruiser. During a terse exchange with officer Milton, the cop notices a blotch of blood-like liquid beneath the bumper of Mickey’s car. The Lincoln Lawyer is handcuffed and made to watch from the backseat of the police cruiser as Milton pops the trunk. Inside is the corpse of a former client.

Charged with murder and unable to make the $5 million bail, Haller opts to defend himself. He assembles a defence team from his jail cell in the Twin Towers Correctional Centre in downtown LA, which includes his half-brother, former LAPD detective Harry Bosch. But this frame-up is far more extensive, and watertight, than Haller could’ve ever imagined.

Bosch’s investigation leads him to the port of Los Angeles, and a biofuel company run by a serial scam-artist with connections to the mob. He believes they’re running an elaborate scheme involving illicit supplementary government subsidies payouts. Which means the feds are involved. And unwilling to get involved in Mickey’s trial.

The tension rises steadily as Haller prepares his defence, and the courtroom drama is as nail-biting and riveting as anything else you’ll read this year, grounded in authenticity rather than pyrotechnics. We know Haller is innocent. The question is, can he prove it? Michael Connelly, the unequivocal master of the police procedural, again proves himself the master of the legal thriller, too. Grisham and Turow might do it more often — but nobody does it better.

ISBN: 9781760878917
ISBN-10: 176087891X
Series: Mickey Haller
Audience: General
Format: Paperback
Language: English
Number Of Pages: 432
Available: 10th November 2020
Publisher: A&U

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Review: Fair Warning by Michael Connelly

9781760877989Veteran journalist Jack McEvoy — hero of The Poet and The Scarecrow — has burned all his bridges and been relegated to reporting on consumer issues for a nonprofit investigative news organisation called Fair Warning. It’s good, honest work in a world where traditional newsrooms have been hollowed out and replaced by click-bait websites, and the president is openly hostile towards the media — but it’s not the kind of work that gets Jack’s blood pumping. Death is his beat; it’s the oft-repeated mantra of the series. So when a woman he had a one-night stand with is brutally murdered, and Jack becomes a suspect, he finds himself suckered into the murder beat once more, hunting a sadistic killer .

Shrikes — also known as butcherbirds — are  carnivorous passerine birds famous for impaling their prey on twigs and barbed wire, and for their killing methodology: Shrikes grasp their victims by the neck with their beaks, squeeze the spinal cord to induce paralysis, then shake vigorously until their quarry’s neck snaps. It’s how the latest serial killer stalking Los Angeles got his name: his female victims have all been discovered with their necks broken in very specific fashion.

In searching for a connection between the victim — how and why did the Shrike pinpoint these women as targets? — Jack former FBI agent Rachael Walling (a series regular in this series, and the wider “Bosch” universe) uncover the corruption ripe in the DNA testing business. There are very few regulations regarding who genealogy and DNA companies can sell your DNA to while making a profit. And the repercussions are unfathomable. Not now, perhaps; but what about the future, when usernames and passwords become defunct, and DNA becomes our exclusive identifier, and you’ve given yours away?

What separates Connelly from the competition is his interest in the blockbuster moments as much as the cartilage that binds them. He delivers authenticity as well as suspense. Fair Warning is a methodical procedural, pockmarked with insights about the changing shape of journalism and warnings about the current state, and future, of genetic testing. And its denouement hints there’s more to come from Jack. Hopefully we’re not waiting another ten years for the next instalment. Or maybe we can have the Bosch / Ballard / McEvoy / Haller crossover dreams are made of.

ISBN: 9781760877989
Format: Paperback / softback
Pages: 416
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 26-May-2020
Country of Publication: Australia

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Review: The Poet by Michael Connelly

9781760113247On the eve of the publication of the third Jack McEvoy novel Fair Warning — amid my re-read of every book Michael Connelly has published — I went back to where it all started for the intrepid newspaperman: 1996’s The Poet. The book holds up. In fact, it’s even better than I remember.

Mysteries about serial killers are my least favourite type of crime novel. When they’re done well — Meg Gardiner’s UNSUB, for example — they’re brilliantly pulse-pounding and terrifying, laden with tension and byzantine twists and turns. I understand their popularity; the cat-and-mouse game of predator/prey has been fodder for great stories for eons. But I often find serial killer stories luxuriate in the depravity and gruesomeness of the violence, and lose any semblance of realism as the killer hunts their prey and evades capture through theatrics, slowly getting under the skin of their pursuer(s), driving them mad, until the grand denouement. My favourite crime novels deal with “smaller,” less grandiose murders. I have a morbid fascination with the evil that men do — the “everyman” — rather than organised, methodical killers with an insatiable appetite for murder. Connelly’s The Poet is the exception. It’s my favourite serial killer novel.

Jack McEvoy is the crime reporter for the Rocky Mountain News. He has seen death in all of its forms. Death is his beat. But nothing prepares him for the death of his brother — a Denver homicide detective, haunted by a case he was unable to solve — who evidently turned his gun on himself in the backseat of his car. Jack doesn’t buy it. Driven by grief — remorse that he’ll never make pace with Sean — and his suspicions about the dying message his brother left behind (a quote from a work by Edgar Allan Poe), Jack uncovers a series of similar killings that have occurred across the country. It looks like someone is executing police officers and camouflaging their murders as suicides. And it appears these killings are connected to the murder of several children.

The Poet is an impeccably crafted crime novel by an absolute master. Its twists, turns and revelations are pitch-perfect. Rich in character, and ripe with thrills and chills that affected me once, ten years ago when I first read it, and did so for a second time. Just try putting it down.

ISBN: 9781760113247
Format: Paperback / softback
Pages: 512
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 1-Nov-2014
Country of Publication: Australia

Posted on by Simon McDonald

Review: The Night Fire by Michael Connelly

9781760876012-1I have read all 32 — now 33 with The Night Fire — of Michael Connelly’s crime novels at least twice, and I’m almost certain I’ve read each instalment in the Harry Bosch series on three or four separate occasions. These books are nestled in my bookcase, spines proudly creased, pages yellowed; worn, and loved, and returned to. If one author epitomises precisely what I want from my crime fiction, it’s Connelly: enthralling police procedurals without the outrage pyrotechnics that blight many of his peers.

There has been a notable shift in Connelly’s writing since the premier of the Bosch television series. In the early days, the books focused on a single investigation. Think of Angels Flight, when Bosch investigated the murder of a high profile black lawyer; or City of Bones, when a chance discovery leads Bosch to discover a shallow grave in the Hollywood hills. More recently, Connelly’s novels have handled multiple narrative threads; separate investigations, not always connected, twisting around each other. Think The Wrong Side of Goodbye and Two Kinds of Truth.  These novels read more like a television series; each chapter an episode contributing to an overarching story. One style is not better than the other, necessarily; in fact, I appreciate the evolution and refinement of Connelly’s craft.

The Night Fire is a perfect encapsulation of this ‘new’ brand of Connelly. Once again uniting former LAPD detective Harry Bosch — approaching 70, but who still bleeds blue despite giving up his badge years earlier — and Renee Ballard — an active cop who works midnight shift; the ‘late show’ — this new novel focuses primarily on their dual investigation into the cold case of the unsolved killing of ex-con John Hilton, whose murder book was hidden away in Bosch’s recently-deceased former partner’s study, for reasons unknown, but which we’ll discover. At the same time, Ballard is working her own case: the arson that killed a homeless man inside his tent. And as if Bosch didn’t have enough on his plate, dealing with a medical diagnosis that ties back to 2007’s The Overlook, he finds himself involved in the defence of the client of his half brother, Lincoln lawyer Mickey Haller. Because if the defendant on trial isn’t responsible for the murder he’s accused of, there’s still a killer out there, who the police aren’t looking for. a

Connelly’s genius is his ability to render the slow, meticulous, dogged pursuit of murderers absolutely captivating. He is the unrivalled master of the police procedural. The Night Fire is a maze of distinct investigations, and Connelly is the perfect guide. Nothing excites me more in crime-lit than when Bosch has jazz playing on the stereo, he’s poured himself a mug of black coffee, and is about to open a murder book. I hope he’s got a few more cases left in him, but contented knowing Ballard is a more than capable replacement; not just a Bosch facsimile, but a character who lives and breathes in these pages.

ISBN: 9781760876012
Format: Paperback / softback
Pages: 416
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 21-Oct-2019
Country of Publication: Australia

 

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Review: Dark Sacred Night by Michael Connelly

9781760528553.jpgAn excellent police procedural in its own right, and a definitive novel in the Harry Bosch series. This is crime writing at its very best.

Dark Sacred Night and the last handful of Michael Connelly’s novels —  Two Kinds of Truth, The Late Show, and The Wrong Side of Goodbye — were clearly influenced by the superb Bosch television series. Which is not the derisive comment you might think it is; far from it, in fact. As necessitated by the medium, every season of the Bosch TV series merges various plot elements from two or three of Connelly’s books into one cohesive narrative; Bosch might be working more than one case, for example, and these two plots twist around each other like the double helix of a DNA strand. Connelly has adopted this technique with his last few books to great effect, and has ensured the recent Bosch novels, and the first Renée Ballard thriller The Late Show have felt very different to his earlier output. As exemplified by Dark Sacred Night, Connelly’s work is tauter  — leaner and meaner — than it ever has been. And it’s great. It’s not that he’s reinvented his style or storytelling devices; rather, he’s just completely reinvigorated his writing. And it takes a very good writer indeed to modify a formula that’s garnered critical acclaim and landed places on bestseller lists worldwide for so long.

When Connelly introduced Renée Ballard in The Late Show, most readers would’ve assumed it was only a matter of time before she crossed paths with Harry Bosch. Few would’ve thought we’d witness that so soon. When Ballard meets Bosch, late one night during another graveyard shift, he’s rifling through an old filing cabinet, desperate for information on a cold case that’s sunk its teeth into him. Bosch is investigating the death of fifteen-year-old Daisy Clayton, a runaway who was brutally murdered almost a decade ago, whose mother he met  — as did readers — in Two Kinds of Truth. Ballard is initially suspicious of Bosch, but it quickly becomes clear: they’re both driven by the same desire for justice. So, still not entirely bonded, they agree to assist each other: Bosch on the outside, Ballard on the inside.

Meanwhile, Ballard is repeatedly distracted from the Clayton case by various callouts on her midnight shift. Most of these serve as momentary distractions, offering cool insights and anecdotes into Ballard’s history, and life in the LAPD. Bosch, too, can’t give the case his all: still attached in a part-time capacity to the San Fernadno Police Department, he is ready to serve a warrant on his prime suspect in the murder of veteran gang member Cristobel Vega. But things immediately go south, and Bosch finds himself facing the wrath of the Varrio San Fer 13, one of the oldest and deadliest gangs in the San Fernando Valley.

Dark Sacred Night is Connelly in fine form. It’s very rare when the thirty-second book by an author leaves you desperate for the next one, but Connelly delivers every time. The first Ballard & Bosch novel is  a multilayered and multifaceted mystery, chock-full of moments of heart-pounding suspense, and a conclusion that rocks Bosch’s world to its core. Hours after I’ve put the book down, I’m still recovering from its reverberations. Michael Connelly —  the proven master of the genre — continues to astound.

ISBN: 9781760528553
Format: Paperback (234mm x 153mm x mm)
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 29-Oct-2018
Country of Publication: Australia

Posted on by Simon McDonald · 1 Comment

Review: Two Kinds of Truth by Michael Connelly

9781760630775Two Kinds of Truth harnesses the strengths of Michael Connelly’s two longest-running series, uniting Harry Bosch and Mickey Haller in a book that’s a distinctive blend of police procedural and legal thriller, which is as much an addictive page-turner as it is a provoking meditation of the moral ambiguity that permeates society.

Thirty years ago former LAPD Detectives Francis Sheehan and Harry Bosch were certain Preston Borders raped and murdered three young women. He was eventually convicted of killing Danielle Skyler, and given the death penalty. He’s been sitting in San Quentin ever since, waiting for that fateful day. But now it looks like he’ll get out, thanks to an analysis of unexamined evidence from 1988, which has revealed DNA  on Danielle’s pyjama bottoms belonging to Lucas John Olmer, who died in prison, and is unconnected to Borders. Guided by his lawyer, Borders has filed a habeas corpus petition, and in doing so, accused the LAPD — specifically Bosch, since Sheehan is dead — of planting evidence against him.

Now working cold cases for the San Fernando Police Department, Bosch knows neither he or Sheehan did anything untoward that lead to Border’s conviction. But the mere hint of corruption would be enough to taint Bosch forever, sullying his reputation, and would force him to surrender his badge, and therefore his mission. So while his half-brother Mickey Haller prepares Bosch’s legal defence, Harry re-opens a case he’d thought long-closed, while also working with his SFPD colleagues to investigate the murder of José Esquivel Sr. and Jr., which thrusts him into undercover work as an addict and potential drug mule.

A little mystery and a lot of mayhem keep the plot boiling, and while the two cases remain unconnected, one influences the other with almost catastrophic consequences. We’ve not seen Bosch this far our of his comfort zone since he travelled to Hong Kong in 9 Dragons on a mission of vengeance. While the mystery in Two Kinds of Truth doesn’t possess the depth and complexity of Bosch’s most memorable cases, the standout scene, which is reserved for when Haller takes the stage in the courtroom, propels the book to Connelly’s usual Gold-Star standard. The Mickey Haller books have always evocatively portrayed the murky machinations of the legal system, and the brief episode here will have readers craving the next book in that series.

Michael Connelly does a masterly job of unravelling dual storylines, once again proving himself a consummate plotter as he steadily complicates an already complex narrative. His mysteries, and the Harry Bosch series, continue to burn bright.

ISBN: 9781760630775
Format: Paperback (234mm x 153mm x mm)
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 25-Oct-2017
Country of Publication: Australia

 

Posted on by Simon McDonald · 2 Comments

Review: The Late Show by Michael Connelly

9781760630782Michael Connelly’s last Harry Bosch novel, The Wrong Side of Goodbye, was another in a long line of masterful police procedurals. Make no mistake: Connelly’s work is the standard to which all crime fiction should be held. It would be easy for the author, with his 30th book, to rest on his laurels: another Bosch novel; maybe another Lincoln Lawyer legal thriller. Instead, he’s gone and created a brilliant new protagonist, LAPD detective Renée Ballard, who has worked the night shift ever since her failed sexual harassment claim against Lt. Robert Olivas, her supervisor at the Robbery Homicide Division. And while there are plenty of similarities between Ballard and Bosch — a thirst for justice, and penchant for going rogue, to name just a couple — Renée’s no female carbon copy of the now-retired Harry. She’s fresh and distinct, inhabiting the same world of torment, fear and danger as Bosch, but providing a very different perspective. Please, Mr. Connelly, sir: don’t let The Late Show be Ballard’s first and last appearance.

Ballard works the night shift at the LAPD’s Hollywood Division alongside her partner, Jenkins, accustomed to initiating investigations, but finishing none, as each morning she turns her cases over to day shift detectives. When she catches two cases on the same night, she can’t part with either. One is the brutal beating of a prostitute; the other is the killing of a young woman in a nightclub shooting.  Despite orders from her superiors and her partner to back off, leave it alone, and let the assigned day shift detectives handle both cases, Ballard launches dual unsanctioned investigations, both of which could lead to her losing her badge, or even worse, her life.

The landscape and themes Connelly explores in The Late Show will be familiar to readers who’ve followed Harry Bosch’s exploits since the beginning, but there’s something refreshing about this young, driven detective’s perspective. When we met Harry in The Black Echo, he was already a seasoned detective with a ton of baggage; it’s very cool to see Connelly try his hand at a less experienced, but no less determined investigator. Long-time readers will also notice characters (or their  kin) from previous novels popping up, either as key players or just in the background. It’s easy to forget, we’ve been reading about Harry Bosch since 1992, more than 20 years, and the world’s continuity remains remarkably intact.

As is his hallmark, Michael Connelly wonderfully combines a mass of procedural detail, a speeding, Byzantine plot, and a flawed hero. The Late Show engages from the first page and never lets go, and Renée Ballard is a character I want to be reunited with as soon as possible. Smartly put together, expertly paced and unpredictable. Just great stuff. To use an oft-repeated word when reviewing Connelly’s work: masterful.

ISBN: 9781760630782
ISBN-10: 1760630780
Number Of Pages: 320
Available: 12th July 2017
Publisher: Allen & Unwin
Country of Publication: AU

Posted on by Simon McDonald · 3 Comments

The Wrong Side of Goodbye by Michael Connelly

Wrong Side of Goodbye Michael Connelly.jpgHarry Bosch’s journey with the LAPD came to a fittingly acrimonious ending in the final pages of The Burning Room a couple of years back. But while his departure made sense from a character perspective, I had my concerns for the future of Michael Connelly’s long-running series. We’ve seen Harry leave the LAPD before (which produced one of my favourites Bosch novels, Lost Light) but the blue religion and department politics play such a key role in Connelly’s work. How could Bosch possibly endure?

We got a partial answer with last year’s The Crossing; a rollicking team-up with the Lincoln Lawyer, Mickey Haller. It set up the obvious question: who is Harry Bosch without the badge? And how can he carry on his mission without it? Because working for Haller wasn’t sustainable; not in the long-term. The Wrong Side of Goodbye provides all the answers we need, and sets the series up for the foreseeable future. Bosch’s LAPD years are over, but the character’s best years might still be ahead of him.

The Wrong Side of Goodbye follows two distinct investigations, which unravel around each other but never intersect. One involves mega-wealthy industrialist Whitney Vance, who hires Bosch as a private investigator to locate a potential heir. His other case involves a serial-rapist dubbed the Screen Cutter, which Bosch is working as a part-time reservist for the San Fernando Police Department. Although it’s an unpaid position, it allows Harry the chance to once again wield a badge and carry on his mission, which is all the payment he needs.

The novel delves into Bosch’s Vietnam years, and his early years in an LAPD uniform. While Connelly has touched on these background details in the past, it’s never been to this extent, and he leaves a ton left over to excavate in future instalments. I always wondered whether Connelly might produce a novel set in the Vietnam or just after, focused entirely on Bosch’s war years or his early years with the LAPD; The Wrong Side of Goodbye is a far more nuanced approach, and I hope we see more information drip-fed to us in future books.

Michael Connelly’s latest is another masterpiece of crime fiction. Some authors get to a point where you run out of superlatives for their fiction; Mr Connelly reached that point long ago. The Wrong Side of Goodbye is the standard to which police procedurals should be held. No doubt the author will raise the bar even higher with his next release.

ISBN: 9781760293833
Format: Paperback (234mm x 153mm x mm)
Pages: 400
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 1-Nov-2016
Country of Publication: Australia

Posted on by Simon McDonald

Review: Trunk Music by Michael Connelly

 

Trunk MusicThe thing about Michael Connelly’s Bosch series is that they are phenomenally re-readable. First time round you’ll be turning the pages desperately trying to identity the killer. Second time round, you’re able to savour Bosch’s world a little more – bask in mid-nineties Los Angeles, its beauty and its underlying tensions – and marvel at his ability to weave a compelling mystery. As I make my way through the series for a second (and in some cases, third time) I’m truly enjoying pulling the books apart, desperately trying to understand how they work, and why they’re so damn effective.

When Tony Aliso’s body is found crumpled in the trunk of his car, Harry Bosch’s colleagues in the LAPD are quick to declare the murder a case of “trunk music” – that is, a mob hit. Aliso had ties to Las Vegas mob, after all, so it comes as no real surprise that this ishow his life ended. But Bosch – back on the job after mandatory leave – isn’t ready to write off the investigation. So he digs deeper, and deeper – and soon finds himself tangled in a web of police politics, Hollywood film-making, and Vegas gangsters. The mystery is convoluted, but coherent, and Bosch’s reunion with his former flame Eleanor Wish adds important personal stakes.

Trunk Music is comfortably top tier Michael Connelly. Readers seeking innovation or experimentation might be disappointed – – those looking for “genre subversion”, for example (ugh) – – but the fact remains, no other writer has produced better police procedurals than Connelly, and few will write ones as good as Trunk Music.

ISBN: 9781760293376
Format: Paperback  (198mm x 128mm x mm)
Pages: 1
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 1-May-2016
Country of Publication: Australia