“Smokehouse,” Melissa Manning’s superb debut collection of intertwined short stories, takes a novel’s worth of emotional density, strips away all the fat, and crushes what’s left into ten masterfully poignant tales. Two titular pieces (that would comprise an amazing novella all on their own) bookend eight vignettes set mostly in southern Tasmania.
Hollywood has engendered a cinematic scope to the life-changing moments that shape our lives, but “Smokehouse” evocates these turning points in far more realistic and subtle fashion. The characters in each of Manning’s stories endure a transformative experience. For Nora, in “Smokehouse: Part One” it’s her husband’s decision to move their family to the coastal town of Kettering, on the D’Entrecasteaux Channel opposite Bruny Island. Dissatisfied with the trajectory of her life, and disenfranchised by her marriage, it is here she meets Ollie, and begins a relationship that obliterates the life she had. “Smokehouse: Part Two” explores this relationship many years later, as a neurodegenerative disease unthreads the happy tapestry they’ve knitted together.
In “Nao,” the death of a Japanese woman’s adoptive mother resurrects her childhood memories, and unlocks long-concealed grief and trauma. In “Faal,” Gurj arrives at a restaurant for his blind date “carrying the wight of low expectations.” Before the night is over, Graham has leaned across the table and kissed Gurj full on the lips, sealing their fate. And on it goes, Manning delicately and affectingly memorializing the manner in which the places we live and the people we meet shape our destinies.
Manning demonstrates unerring control of her craft. The length of the stories in this collection varies, but their richness does not.
Publication: 30 Mar 2021
Publisher: University of Queensland Press