Veteran journalist Jack McEvoy — hero of The Poet and The Scarecrow — has burned all his bridges and been relegated to reporting on consumer issues for a nonprofit investigative news organisation called Fair Warning. It’s good, honest work in a world where traditional newsrooms have been hollowed out and replaced by click-bait websites, and the president is openly hostile towards the media — but it’s not the kind of work that gets Jack’s blood pumping. Death is his beat; it’s the oft-repeated mantra of the series. So when a woman he had a one-night stand with is brutally murdered, and Jack becomes a suspect, he finds himself suckered into the murder beat once more, hunting a sadistic killer .
Shrikes — also known as butcherbirds — are carnivorous passerine birds famous for impaling their prey on twigs and barbed wire, and for their killing methodology: Shrikes grasp their victims by the neck with their beaks, squeeze the spinal cord to induce paralysis, then shake vigorously until their quarry’s neck snaps. It’s how the latest serial killer stalking Los Angeles got his name: his female victims have all been discovered with their necks broken in very specific fashion.
In searching for a connection between the victim — how and why did the Shrike pinpoint these women as targets? — Jack former FBI agent Rachael Walling (a series regular in this series, and the wider “Bosch” universe) uncover the corruption ripe in the DNA testing business. There are very few regulations regarding who genealogy and DNA companies can sell your DNA to while making a profit. And the repercussions are unfathomable. Not now, perhaps; but what about the future, when usernames and passwords become defunct, and DNA becomes our exclusive identifier, and you’ve given yours away?
What separates Connelly from the competition is his interest in the blockbuster moments as much as the cartilage that binds them. He delivers authenticity as well as suspense. Fair Warning is a methodical procedural, pockmarked with insights about the changing shape of journalism and warnings about the current state, and future, of genetic testing. And its denouement hints there’s more to come from Jack. Hopefully we’re not waiting another ten years for the next instalment. Or maybe we can have the Bosch / Ballard / McEvoy / Haller crossover dreams are made of.
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