Review: Fifty Fifty by Steve Cavanagh

9781409185857

Fifty-Fifty | Steve Cavanagh | Hachette Australia | 25 February 2020 | RRP $33.00 | 9781409185857

Fifty-Fifty is vintage Steve Cavanagh: the setup is scintillating, his trademark twists are generously piled on, and the payoff is suitably pulse-pounding.

On the night of their father’s brutal death, two sisters — Sofia and Alexandra Avellino — dial 911 and blame each other for the murder. The women are trialled at the same time, in front of one jury. One of them has been framed; the other is a murderer. Unless they were both involved? Lawyers Eddie Flynn (The Defence, The Plea, etc) and Kate Brooks steadfastly believe their clients are innocent. As they clash in the courtroom, it begins to dawn on them; one, or both of them, are being played by a killer.

Cavanagh expertly manipulates the reader through his labyrinth plot, daring us, and his protagonists, to assume the innocence and guilt of both sisters at various stages, before unveiling a piece of evidence or witness that undermines any presupposed theory.  Cavanagh writes blockbuster Grisham-esque thrillers: his plots are sensational, the pacing is pure Hollywood, but they’re grounded by embattled characters readers can’t help but root for. Fifty-Fifty is spectacular entertainment, easily read as a standalone, but also an important milestone in the Eddie Flynn canon.

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