Since her debut, Hades, Candice Fox has consistently stretched and reshaped the Australian crime novel by creating in each of her books a deliciously chilling ambience and an aura of pervasive evil, alongside narratives that are so hard charging and irresistibly readable they demand to be read in a single sitting. Gone By Midnight is no different.
On the fifth floor of the White Caps Hotel, a young boy goes missing. Left alone with his three mates in the comfort of a lavish hotel room while his mother dines downstairs with her fellow parents, when Sara Farrow checks on the kids at midnight she discovers her child, Richie, gone — without a trace, it seemed, as CCTV footage confirms he never left the building. With her wretched past, Sara knows the police will instinctively turn their gaze onto her, which will distract them from tracking down the true culprit. So she hires disgraced cop Ted Conkaffey and convicted killer Amanda Pharrell — the unlikeliest of dynamic duos, who’ve starred in Fox’s stellar Crimson Lake and Redemption Point — to shadow the police investigation, follow their own leads, and locate her child.
But unrelated factors threaten to derail Ted and Amanda’s enquiries: a rogue Crimson Lake cop has set her sights on Amanda, and will stop at nothing to see her dead and buried, and not at all painlessly; and two years after false accusation robbed him of his previous life as a respected detective and family man, Ted’s daughter is staying with him — just in time to be in the crosshairs of Richie’s abductor.
The Conkaffey / Pharrell series continues to split focus between exploring the procedural conventions of the whodunit genre and developing its heroes. Fox, who loves her characters colourful, makes readers love them too, and it doesn’t much matter whether they’re naughty or nice, or some shade between. Indeed, the true pleasure of Gone By Midnight isn’t the mystery at its core — which is suitably labyrinth and gripping — but witnessing its brilliantly quirky cast interact: Ted desperately hoping to rebuild his life, tantalised by the prospect of a new romance; Amanda struggling to overcome the demons of her past, and constant flirtations with the darker underbelly of her soul.
Gone By Midnight is Candice Fox at her riveting best. In this golden era of Australian crime fiction, Fox should be identified as the writer who redefined the genre in terms of its form, content and style.
Format: Paperback / softback (233mm x 153mm x 31mm)
Publisher: Transworld Publishers (Division of Random House Australia)
Publish Date: 22-Jan-2019
Country of Publication: Australia