Agatha Christie meets Quantum Leap in Stuart Turton’s high-concept, propulsive murder mystery.
A man with no memory wakes terrified in a forest. He glimpses a woman chased through the trees, her name on his lips: Anna. Then a gunshot rings out. And The Seven Deaths of Evelyn Hardcastle begins.
As far as taglines go, Stuart Turton’s debut mystery novel has a great one: “Gosford Park meets Inception, by way of Agatha Christie”. Which is so, so much better than the usual “Thriller of the Year” line that gets used constantly, and conjures, at best, an eye roll; probably not the emotional response marketing departments are hoping for. Not that a great tagline maketh a great book, but damn, you’ll pique my interest, and at the very least entice me to sample the opening chapters.
And the opening chapters got me. They got me good.
The Seven Deaths of Evelyn Hardcastle needs to be read in a spoiler-free bubble. The less you know about its labyrinthine plot the better. It is an Agatha Christie-inspired murder mystery that takes place in the classic setting of the 1920s country house — Blackheath — with a sensational twist: our protagonist will re-live the same day, through the eyes eight separate individuals, until he identifies the killer. Every morning he wakes up in a different body, or host, with memories of his experiences in the previous hosts — and the personalities of his hosts battling for supremacy within his mind — but if he doesn’t discern the killer by the end of day eight, he’ll return to day one, and be forced to re-live the cycle, again and again; a cruel kind of purgatory.
The plot is complicated, myriad of clues laced throughout the narrative. Meticulously plotted and stylishly written, this is a page-turner with a distinct twist and surprises right up to the very end. It is a mystery novel on an epic scale, and you’ll be hard-pressed to read a more tightly-constructed, better-plotted thriller this year.