Mark Greaney’s The Gray Man is as satisfying as any wide-screen Hollywood blockbuster, its superbly choreographed and adrenaline-fuelled action scenes enhancing the thriller’s thin plot. It’s heavy on familiar tropes — the assassin with a conscious, spurned by his government overseers, now targeted for elimination by, well, just about every professional killer in the business — but this first book in a series that has now reached its sixth entry is fast and furious, and a sure fix for thriller junkies.
Court Gentry is known as The Gray Man in clandestine circles: a proven killer who moves silently from job to job, accomplishing the impossible, then fading into the background. But when a job goes awry, he finds himself up against impossible odds: a fleet of killers who will do anything to bring his head to their employer. Stripped of equipment and weapons, wounded and adrift, Gentry faces off against opposition forces in Prague, Zurich and Paris, pulling off miracle escape after miracle escape. Bashed and blooded, things come to their violent climax in a chateau near the Normandy coast.
Fans of Tom Clancy and Robert Ludlum in their pomp will find plenty to enjoy here. The Gray Man isn’t going to make new friends of the genre, but for acolytes, this is superb. It’s a blast. I will read more.