American Blood introduced Marshall Grade, a former NYPD detective, who worked undercover trying to dismantle a particularly vicious crime syndicate, until his cover was blown, and he was forced into Witness Protection. But such was the reach of Marshall’s enemies, he sublet his WITSEC safe-house (much to the chagrin of his handler, Lucas Cohen) in order to circumvent any possible paper trail, and lived under the radar in Albuquerque, until he was forced back into action, and back into the limelight. The result was a stylish, action-packed thriller, which begged for a sequel. And here we have it: Marshall’s Law.
This time round, Sanders’ comparison to Elmore Leonard — John Sanford, too, I think — is more than justified. While Marshall is the titular character, and a hero in the Jack Reacher mould — easy to root for, wholly capable of dismantling any threat without breaking into too much of a sweat — the ensemble cast is intrinsic to this novel’s success. Lucas Cohen makes another appearance — indeed, it’s his attempted kidnap that sparks Marshall’s Law into life, and the question his would-be captors ask: Where’s Marshall?
He’s back in New York, actually — trying to start afresh, still shadowed by his violent past. But he can’t do nothing in the face of a potential threat, which is what he believes the attack on Cohen signifies. So he starts to investigate, and quickly discovers he’s the target of a corrupt businessman named Dexter Vine, who is in debt to some very bad people, and has hired Ludo Coltrane to find Marshall at any cost, who himself brings in Perry Rhode s to assist, whose willingness to be a trigger man can’t overshadow his potential liability to the Vine / Coltrane operation.
Sanders flicks between these characters’ perspectives, building a head of steam, ratcheting up the tension, and bringing the cast together in a wonderfully brutal and bloody climax. Trouble is, there’s not much of a muchness between Cohen, Marshall, Coltrane, Vine and Rhodes. Sure, they’ve diverging desires and backgrounds, but ultimately, they’re boilerplate tough guys. There’s nothing empathic about any of them, or anything particularly quirky or offbeat. That was Leonard’s mastery: taking a formula and embellishing it with his trademark zaniness and humour.
Bullet-holes and body-blows abound in Marshall’s Law. It’s a tightly-constructed, stylish and effective thriller, which confirms Ben Sanders as one of the new generation of thriller writers to watch.
Format: Paperback (234mm x 153mm x mm)
Imprint: Allen & Unwin
Publisher: Allen & Unwin
Publish Date: 1-Jan-2017
Country of Publication: Australia