Ed Brubaker’s BATMAN run in the early 2000’s, alongside Greg Rucka’s stint on DETECTIVE COMICS, rank as my favourite period in Batman comics history. Yes, in my mind, it even eclipses the brilliant work being done by Scott Snyder and Greg Capullo right now — and that stuff is great. Some of my adoration is nostalgia, sure — I was fourteen when the issues first landed at my local newsagency — but make no mistake, Brubaker’s BATMAN comics are unmissable. Full of hardboiled narration, the perfect blend of super-heroics and dark, gritty crime, Batman by Ed Brubaker features all the ingredients the award-winning writer has plucked for his legendary Marvel Comics work and his brilliant creator-owned comics.
Batman by Ed Brubaker introduces the killer Zeiss who, with his specially-designed goggles, has the capability of memorising the Caped Crusader’s many fighting styles, thereby giving him the edge in combat. His arrival in Gotham City ignites a chain of events that weigh heavily on Batman. First, Jeremy Samuels —Bruce Wayne’s chief of security before the death of his family drove him over the edge — is paroled from prison, but quickly finds himself back amongst the criminal element, a pawn in Zeiss’s game, which is itself tied to the Penguin; then Mallory Moxon and her father, Lew — once a Gotham mob boss – return to the city, and quickly find themselves the target of the master-assassin Deadshot.
The trouble with this collection is that – because of the nature of comics – there are a variety of plot holes and sudden divergences in its focus. The Zeiss plot takes a backseat when the company-wide crossover event Our Worlds at Waroccurred, and the collection doesn’t adequately explain when / why Jim Gordon retires from the GCPD (he was shot) or when Sasha (Bruce’s bodyguard) learns his secret identity. This isn’t Brubaker’s fault – at the time, BATMAN and DETECTIVE COMICS (in fact, the whole line of ‘Bat-Family’ titles) were linked, so the universe was cohesive; but read like this, in standalone form, more than a decade later these holes are gaping. Veteran comics readers will power through undaunted; new readers might be slightly perturbed.
Scott McDaniel’s dynamic artwork is just as memorable as Brubaker’s writing; I can’t think of one without the other. McDaniel is, simply, an eminent storyteller, and excels when gifted whole pages or large panels to demonstrate his style. The combat scenes are spectacularly choreographed, and he’s just as skilled at the quieter moments. Batman in the shadows, crouched above Gotham in the rain, has never looked so menacing.
When I reminisce on my ‘golden years’ of comic book reading, I think of Ed Brubaker’s BATMAN. This collection served as a wonderful trip down memory lane, but besides that, I was thrilled it has stood the test of time.
Imprint: DC Comics
Publisher: DC Comics
Publish Date: 9-Feb-2016
Country of Publication: United States